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Poetry by Samuel Taylor Coleridge


Samuel Taylor Coleridge was born in Devonshire, England on October 21, 1772. His father was a vicar of a local parish as well as master of a grammar school, was married twice and had fourteen children in total by two marriages.

At the age of nine a turn of events changed things in Samuel's life and that was with the passing of his father. With this turn of events he was forced to attend Christ's Hospital which was a boarding school in London.

As Christ's Hospital had the reputation for being notorious for its unwelcoming atmosphere and strict regimen, Samuel fostered thoughts of guilt and depression in his young maturing mind. Throughout his childhood he was always seeking attention which was felt led to his dependency personality as an adult.

During his younger adult years from 1791 until 1794 he attended Jesus College at the University of Cambridge where in 1792 he won the Browne Gold Medal for an Ode that he wrote on the slave trade. In the winter of 1793 Samuel left college to join the Dragoon Guards due to a young girl that he had loved rejected him. With the help of his brothers they arranged to have him discharged a few months later and he returned to Jesus College though he never obtained a degree from Cambridge.

Perhaps the poems that Samuel Taylor Coleridge will best be remembered for is his long narrative poems of which the most famous is the Rime of the Ancient Mariner and Christabel. As well other poems like Kubla Khan, A fragment or A Vision in a Dream are much shorter are also widely known and loved.

After 1817 Coleridge devoted himself to theological and politico-sociological works. Coleridge was elected a fellow of the Royal Society of Literature in 1824. On July 25, 1834 Samuel Taylor Coleridge passed away at the age of sixtyone in Highgate near London.

The following are some of the love poems written by the famous British Romantic Poet Samuel Taylor Coleridge.


Love


All thoughts, all passions, all delights,
Whatever stirs this mortal frame,
Are all but ministers of Love,
And feed his sacred flame.


Oft in my waking dreams do I
Live o'er again that happy hour,
When midway on the mount I lay
Beside the ruined tower.


The moonshine stealing o'er the scene
Had blended with the lights of eve;
And she was there, my hope, my joy,
My own dear Genevieve!


She leant against the armed man,
The statue of the armed knight;
She stood and listened to my lay,
Amid the lingering light.


Few sorrows hath she of her own,
My hope! my joy! my Genevieve!
She loves me best, whene'er I sing
The songs that make her grieve.


I played a soft and doleful air,
I sang an old and moving story -
An old rude song, that suited well
That ruin wild and hoary.


She listened with a flitting blush,
With downcast eyes and modest grace;
For well she knew I could not choose
But gaze upon her face.


I told her of the Knight that wore
Upon his shield a burning brand;
And that for ten long years he wooed
The Lady of the Land.


I told her how he pined: and ah!
The deep, the low, the pleading tone
With which I sang another's love
Interpreted my own.


She listened with a flitting blush,
With downcast eyes and modest grace;
And she forgave me, that I gazed
Too fondly on her face!


But when I told the cruel scorn
That crazed that bold and lovely Knight,
And that he crossed the mountain-woods,
Nor rested day nor night;


That sometimes from the savage den,
And sometimes from the darksome shade,
And sometimes starting up at once
In green and sunny glade, -


There came and looked him in the face
An angel beautiful and bright;
And that he knew it was a Fiend,
This miserable Knight!


And that, unknowing what he did,
He leaped amid a murderous band,
And saved from outrage worse than death
The Lady of the Land;


And how she wept, and clasped his knees;
And how she tended him in vain;
And ever strove to expiate
The scorn that crazed his brain; -


And that she nursed him in a cave;
And how his madness went away,
When on the yellow forest-leaves
A dying man he lay; -


His dying words -but when I reached
That tenderest strain of all the ditty,
My faltering voice and pausing harp
Disturbed her soul with pity!


All impulses of soul and sense
Had thrilled my guileless Genevieve;
The music and the doleful tale,
The rich and balmy eve;


And hopes, and fears that kindle hope,
An undistinguishable throng,
And gentle wishes long subdued,
Subdued and cherished long!


She wept with pity and delight,
She blushed with love, and virgin shame;
And like the murmur of a dream,
I heard her breathe my name.


Her bosom heaved -she stepped aside,
As conscious of my look she stepped -
Then suddenly, with timorous eye,
She fled to me and wept.


She half enclosed me with her arms,
She pressed me with a meek embrace;
And bending back her head, looked up,
And gazed upon my face.


'Twas partly love, and partly fear,
And partly 'twas a bashful art,
That I might rather feel, than see,
The swelling of her heart.


I calmed her fears, and she was calm,
And told her love with virgin pride;
And so I won my Genevieve,
My bright and beauteous Bride



Recollections of Love


How warm this woodland wild Recess !
Love surely hath been breathing here ;
And this sweet bed of heath, my dear !
Swells up, then sinks with faint caress,
As if to have you yet more near.


Eight springs have flown, since last I lay
On sea-ward Quantock's heathy hills,
Where quiet sounds from hidden rills
Float hear and there, like things astray,
And high o'er head the sky-lark shrills.


No voice as yet had made the air
Be music with your name ; yet why
That asking look ? that yearning sigh ?
That sense of promise every where ?
Belovéd ! flew your spirit by ?


As when a mother doth explore
The rose-mark on her long-lost child,
I met, I loved you, maiden mild !
As whom I long had loved before--
So deeply had I been beguiled.


You stood before me like a thought,
A dream remembered in a dream.
But when those meek eyes first did seem
To tell me, Love within you wrought--
O Greta, dear domestic stream !


Has not, since then, Love's prompture deep,
Has not Love's whisper evermore
Been ceaseless, as thy gentle roar ?
Sole voice, when other voices sleep,
Dear under-song in clamor's hour.




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